🔗 Share this article Bristol's Garden Vineyards: Foot-Stomping Grapes in City Gardens Each quarter of an hour or so, an older diesel-powered railway carriage arrives at a spray-painted station. Close by, a law enforcement alarm pierces the near-constant road noise. Daily travelers hurry past falling apart, ivy-draped fencing panels as rain clouds form. It is perhaps the least likely spot you anticipate to find a well-established vineyard. But James Bayliss-Smith has managed to 40 mature vines sagging with round purplish berries on a rambling allotment situated between a row of historic homes and a local rail line just north of Bristol town centre. "I've noticed individuals hiding heroin or whatever in the shrubbery," says the grower. "But you simply continue ... and keep tending to your vines." Bayliss-Smith, 46, a filmmaker who runs a fermented beverage company, is among several urban winemaker. He has pulled together a informal group of growers who make vintage from four discreet city grape gardens nestled in back gardens and community plots across Bristol. The project is sufficiently underground to have an formal title so far, but the group's WhatsApp group is called Vineyard Dreams. City Vineyards Across the Globe To date, the grower's plot is the sole location registered in the City Vineyard Network's upcoming global directory, which includes more famous city vineyards such as the eighteen hundred vines on the slopes of the French capital's historic Montmartre area and more than three thousand vines with views of and inside the Italian city. Based in Italy non-profit association is at the forefront of a movement re-establishing city vineyards in traditional winemaking countries, but has discovered them all over the world, including cities in Japan, Bangladesh and Uzbekistan. "Vineyards help cities remain more eco-friendly and ecologically varied. These spaces protect open space from development by creating long-term, productive farming plots within urban environments," explains the association's president. Like all wines, those created in urban areas are a product of the soils the plants thrive in, the unpredictability of the weather and the people who care for the grapes. "Each vintage represents the beauty, community, environment and history of a urban center," adds the president. Unknown Polish Variety Back in Bristol, the grower is in a urgent timeline to gather the vines he grew from a plant abandoned in his garden by a Eastern European household. Should the rain arrives, then the pigeons may take advantage to attack again. "This is the mystery Eastern European grape," he comments, as he cleans damaged and rotten berries from the glistering clusters. "The variety remains uncertain what variety they are, but they are certainly disease-resistant. In contrast to premium grapes – Pinot Noir, white wine grapes and additional renowned French grapes – you need not spray them with chemicals ... this is possibly a special variety that was bred by the Soviets." Collective Activities Across Bristol The other members of the group are additionally taking advantage of bright periods between showers of autumn rain. At a rooftop garden with views of Bristol's glistening harbour, where medieval merchant vessels once bobbed with casks of wine from Europe and the Iberian peninsula, Katy Grant is collecting her dark berries from about fifty vines. "I adore the smell of the grapevines. It is so evocative," she remarks, pausing with a basket of fruit slung over her arm. "It recalls the fragrance of Provence when you open the car windows on vacation." Grant, 52, who has devoted more than two decades working for humanitarian organizations in conflict zones, inadvertently took over the vineyard when she moved back to the UK from East Africa with her household in 2018. She felt an overwhelming duty to maintain the vines in the garden of their new home. "This vineyard has previously endured three different owners," she explains. "I really like the concept of natural stewardship – of handing this down to someone else so they can continue producing from the soil." Sloping Gardens and Natural Production A short walk away, the remaining cultivators of the collective are busily laboring on the steep inclines of Avon Gorge. One filmmaker has established over 150 plants perched on terraces in her wild half-acre garden, which tumbles down towards the muddy local waterway. "People are always surprised," she says, gesturing towards the tangled vineyard. "They can't believe they are viewing rows of vines in a urban neighborhood." Today, the filmmaker, 60, is harvesting clusters of deep violet Rondo grapes from rows of plants arranged along the hillside with the assistance of her child, Luca. Scofield, a documentary producer who has contributed to Netflix's nature programming and television network's gardening shows, was motivated to cultivate vines after observing her neighbor's grapevines. She's discovered that amateurs can produce intriguing, enjoyable traditional vintage, which can command prices of more than seven pounds a serving in the increasing quantity of wine bars focusing on minimal-intervention wines. "It is deeply rewarding that you can actually make good, natural wine," she says. "It's very fashionable, but in reality it's reviving an old way of making wine." "During foot-stomping the grapes, the various natural microorganisms are released from the skins and enter the juice," says the winemaker, partially submerged in a bucket of small branches, pips and crimson juice. "That's how wines were historically produced, but industrial wineries introduce preservatives to kill the natural cultures and subsequently incorporate a commercially produced culture." Challenging Environments and Inventive Solutions A few doors down sprightly retiree Bob Reeve, who motivated Scofield to plant her vines, has gathered his companions to pick white wine varieties from one hundred vines he has laid out neatly across two terraces. The former teacher, a northern English physical education instructor who taught at the local university developed a passion for viticulture on regular visits to Europe. But it is a challenge to grow Chardonnay grapes in the humidity of the gorge, with cooling tides moving through from the nearby estuary. "I aimed to make Burgundian wines in this location, which is a bit bonkers," admits the retiree with a smile. "This variety is slow-maturing and particularly vulnerable to fungal infections." "I wanted to make European-style vintages here, which is a bit bonkers" The unpredictable Bristol climate is not the only problem encountered by grape cultivators. The gardener has had to install a barrier on